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postestructuralismo

lacanThe Marxist approach was short-lived, partly because it was too monolithic, but partly too because the attempt to account for spectatorial positioning and pleasure had been in the air since at least Morin’s 1956 Le Cinema ou I’homme imaginaire. Indeed, strictly psychoanalytical approaches did not suddenly appear in the early 1970s: as early as the 1940s, there had been an attempt to analyse Bunuel’s Un chien andalou using Freudian psychoanalysis (see Mondragon, 1949).

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